Tanım: overall repetitive or reflective pattern in the body of one individual of this taxon. eg: bilateral symmetry, rotational symmetry, radial symmetry
Tanım: Living in the fluid medium (water or air) but unable to maintain their position or distribution independently of the movement of the water/air mass (adapted from Lincoln et al., 1998).
Tanım: Drag swimmers use a cyclic motion where they push water back in a power stroke, and return their limb forward in the return or recovery stroke. When they push water directly backwards, this moves their body forward, but as they return their limbs to the starting position, they push water forward, which will thus pull them back to some degree, and so opposes the direction that the body is heading. This opposing force is called drag. The return-stroke drag causes drag swimmers to employ different strategies than lift swimmers. Reducing drag on the return stroke is essential for optimizing efficiency.
Tanım: Hard framework, internal or external, which supports and protects softer parts of plant, animal or unicellular organism, and to which muscles usually attach in animals, includes skeletons (derived from Lawrence, 2005).
Tanım: A group of species that exploit the same food resources, and/or use the same feeding or foraging methods. http://en.wikipedia.org/wiki/Guild_(ecology)
Tanım: position of an organism in a food web. May be described verbally with descriptors including primary producer, herbivore or carnivore. If described numerically, 1 indicates a primary producer, 2 a herbivore, and so on up the food web.
Tanım: The institution that holds a type specimen for a given species. The recommended best practice is to use the identifier in a collections registry such as the Biodiversity Collections Index (http://www.biodiversitycollectionsindex.org/).
Tanım: Simple eye that has two or more lenses. Some marine organisms bear more than one lens; for instance the copeopod Pontella has three. The outer has a parabolic surface, countering the effects of spherical aberration while allowing a sharp image to be formed. Copilla's eyes have two lenses, which move in and out like a telescope
